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In a career that has spanned more than a quarter century, Lee Maracle has earned the reputation as one of Canada's most ardent and celebrated writers. Talking to the Diaspora, Maracle's second book of poetry, is at once personal and profound. From the revolutionary "Where Is that Odd Dandelion-Looking-Flower" to the tender poem "Salmon Dance," from the biting "Language" to the elegiac "Boy in the Archives," these poems embody the fearless passion and spirited wit for which Lee Maracle is beloved and revered.

Award-winning Nisga'a poet Jordan Abel's third collection, Injun, is a long poem about racism and the representation of indigenous peoples. Composed of text found in western novels published between 1840 and 1950 - the heyday of pulp publishing and a period of unfettered colonialism in North America - Injun then uses erasure, pastiche, and a focused poetics to create a visually striking response to the western genre. After compiling the online text of 91 of these now public-domain novels into one gargantuan document, Abel used his word processor's "Find" function to search for the word "injun." The 509 results were used as a study in context: How was this word deployed? What surrounded it? What was left over once that word was removed? Abel then cut up the sentences into clusters of three to five words and rearranged them into the long poem that is Injun. The book contains the poem as well as peripheral material that will help the reader to replicate, intuitively, some of the conceptual processes that went into composing the poem. Though it has been phased out of use in our "post-racial" society, the word "injun" is peppered throughout pulp western novels. Injun retraces, defaces, and effaces the use of this word as a colonial and racial marker. While the subject matter of the source text is clearly problematic, the textualexplorations in Injun help to destabilize the colonial image of the "Indian" in the source novels, the western genre as a whole, and the Western canon.

Seeing through Race is a boldly original reinterpretation of the iconic photographs of the black civil rights struggle. Martin A. Berger's provocative and groundbreaking study shows how the very pictures credited with arousing white sympathy, and thereby paving the way for civil rights legislation, actually limited the scope of racial reform in the 1960s. Berger analyzes many of these famous images--dogs and fire hoses turned against peaceful black marchers in Birmingham, tear gas and clubs wielded against voting-rights marchers in Selma--and argues that because white sympathy was dependent on photographs of powerless blacks, these unforgettable pictures undermined efforts to enact--or even imagine--reforms that threatened to upend the racial balance of power.

This Instructional Resource presents a selection of photographs from the collection of the Center for Creative Photography (CCP) at the University of Arizona. The photographs of Marion Palfi, Ansel Adams, and David Levinthal are included as examples of documentary, found, and staged imagery that reflect historical and social practices of individual, societal, and institutional racism in the United States. These photographs were originally presented as educational programming at CCP, where they were discussed with classes studying racism, writing, and art and visual culture education. Areas of study across the curriculum, including art, photography, language arts, history, sociology and literature can be enhanced as students examine these images for insights into racism, social justice, documentation, and creative expression.

Voodoo Hypothesis is a subversion of the imperial construct of "blackness" and a rejection of the contemporary and historical systems that paint black people as inferior, through constant parallel representations of "evil" and "savagery." Pulling from pop culture, science, pseudo-science and contemporary news stories about race, Lubrin asks: What happens if the systems of belief that give science, religion and culture their importance were actually applied to the contemporary "black experience"? With its irreverence toward colonialism, and the related obsession with post-colonialism and anti-colonialism, and her wide-ranging lines, deftly touched with an intermingling of Caribbean Creole, English patois and baroque language, Lubrin has created a book that holds up a torch to the narratives of the ruling class, and shows us the restorative possibilities that exist in language itself.

"Policing Black Bodies is a timely and much-needed exposure of historical and contemporary practices of state-sanctioned violence against Black lives in Canada. This groundbreaking work dispels many prevailing myths that cast Canada as a land of benevolence and racial equality, and uncovers long-standing state practices that have restricted Black freedom. A first of its kind, Policing Black Bodies creates a framework that makes legible how anti-Blackness has influenced the construction of Canada's carceral landscape, including the development and application of numerous criminal law enforcement and border regulation practices. The book traces the historical and contemporary mobilization of anti-Blackness spanning from slavery, 19th and 20th century segregation practices, and the application of early drug and prostitution laws through to the modern era. Maynard makes visible the ongoing legacy of a demonized and devalued Blackness that is manifest today as racial profiling by police, immigration agents and social services, the over-representation of Black communities in jails and prisons, anti-Black immigration detention and deportation practices, the over-representation of Black youth in state care, the school-to-prison pipeline and gross economic inequality. Following the dictums of the Black Lives Matter movement, Policing Black Bodies adopts an intersectional lens that explores the realities of those whose lives and experiences have historically been marginalized, stigmatized, and made invisible. In addressing how state practices have impacted Black lives, the book brings from margin to centre an analysis of gender, class, sexuality, (dis)ability, citizenship and criminalization. Beyond exploring systemic racial injustice, Policing Black Bodies pushes the limits of the Black radical imagination: it delves into liberatory Black futures and urges the necessity of transformative alternatives."--

This editorial introduces a special issue of Environmental Education Research titled ‘Land education: Indigenous, post-colonial, and decolonizing perspectives on place and environmental education research.’ The editorial begins with an overview of each of the nine articles in the issue and their contributions to land and environmental education, before outlining features of land education in more detail. ‘Key considerations’ of land education are discussed, including: Land and settler colonialism, Land and Indigenous cosmologies, Land and Indigenous agency and resistance,and The significance of naming. The editorial engages the question ‘Why land education?’ by drawing distinctions between land education and current forms of place-based education. It closes with a discussion of modes and methods of land education research.

In this original and trenchant work, Christina Sharpe interrogates literary, visual, cinematic, and quotidian representations of Black life that comprise what she calls the "orthography of the wake." Activating multiple registers of "wake"--the path behind a ship, keeping watch with the dead, coming to consciousness--Sharpe illustrates how Black lives are swept up and animated by the afterlives of slavery, and she delineates what survives despite such insistent violence and negation. Initiating and describing a theory and method of reading the metaphors and materiality of "the wake," "the ship," "the hold," and "the weather," Sharpe shows how the sign of the slave ship marks and haunts contemporary Black life in the diaspora and how the specter of the hold produces conditions of containment, regulation, and punishment, but also something in excess of them. In the weather, Sharpe situates anti-Blackness and white supremacy as the total climate that produces premature Black death as normative. Formulating the wake and "wake work" as sites of artistic production, resistance, consciousness, and possibility for living in diaspora, In the Wake offers a way forward.

Many promote Reconciliation as a "new" way for Canada to relate to Indigenous Peoples. In Dancing on Our Turtle's Back: Stories of Nishnaabeg Re-Creation, Resurgence, and a New Emergence activist, editor, and educator Leanne Simpson asserts reconciliation must be grounded in political resurgence and must support the regeneration of Indigenous languages, oral cultures, and traditions of governance. Simpson explores philosophies and pathways of regeneration, resurgence, and a new emergence through the Nishnaabeg language, Creation Stories, walks with Elders and children, celebrations and protests, and meditations on these experiences. She stresses the importance of illuminating Indigenous intellectual traditions to transform their relationship to the Canadian state. Challenging and original, Dancing on Our Turtle's Back provides a valuable new perspective on the struggles of Indigenous Peoples.

In Indigenous Writes, Chelsea Vowel initiates myriad conversations about the relationship between Indigenous peoples and Canada. An advocate for Indigenous worldviews, the author discusses the fundamental issues--the terminology of relationships; culture and identity; myth-busting; state violence; and land, learning, law and treaties--along with wider social beliefs about these issues. She answers the questions that many people have on these topics to spark further conversations at home, in the classroom, and in the larger community.

Geographers are bringing together narrative approaches and insights from cultural and feminist geography in building a body of work that examines the links between health, place and culture. This paper follows this direction in examining accounts of health and illness of South Asian migrant women living in British Columbia, Canada, using data from semi-structured interviews and a set of in-depth group interviews. The intent of the study was to explore how traditional medicine and indigenous medicine, as subjugated knowledges, were in tension or integrated with western medicine in the women's approaches to keeping healthy and managing illness. Analysis of the accounts shows intricate relationships among the body, food, place and identity. It is argued that these relationships are integral to the ongoing constitution of subjectivities and place in the context of the rapidly growing urban centres of the study. The paper concludes with comment on how this type of analysis of health and illness 'talk' de-medicalizes immigrants' health behaviour, instead placing it within wider issues of integration and inclusion confronting racialized immigrant groups.

Migration stories are an essential component of Canada's historical/literary continuum; we need to know of such writings to rationalize about who Canadians really are, and where they are from. Aren't we all the children of migration? Where we came from, how we got here, who we were, and are, and who may become in time ? such themes should interest all those naturally concerned about identity and origin; that eternal enigma wrought of migration. These short-fiction stories tell much about migration and Canada, in ways that are funny, ribald, tragic or contemplative, but never dull.

This migration anthology is an entertaining miscellany of factual stories, essays, newspaper reportage, and even a poem, all of which highlight the humour, as well as the ironies and agonies generated when humans seek a new homeland. The authors, and their stories, are as diverse as our Canadian population itself, and help to tell who we all are within this amazing, tolerant, nurturing geographic space called Canada. All migrants have stories, but not all are writers, so although most authors here are academics and/or widely published, the voices of others are well represented.

Memory plays an integral part in how individuals and societies construct their identity. While memory is usually considered in the context of a stable, unchanging environment, this collection of essays explores the effects of immigration, forced expulsions, exile, banishment, and war on individual and collective memory. The ways in which memory affects cultural representation and historical understanding across generations is examined through case studies and theoretical approaches that underscore its mutability. Memory and Migration is a truly interdisciplinary book featuring the work of leading scholars from a variety of fields across the globe. The essays are collaborative, successfully responding to the central theme and expanding upon the findings of individual authors. A groundbreaking contribution to an emerging field of study, Memory and Migration provides valuable insight into the connections between memory, place, and displacement.

Over the last several decades, the boundaries of languages and national and ethnic identities have been shifting, altering the notion of borders around the world. Borderland areas, such as East and West Europe, the US/Mexican frontera, and the Middle East, serve as places of cultural transfer and exchange, as well as arenas of violent conflict and segregation. As communities around the world merge across national borders, new multi-ethnic and multicultural countries have become ever more common.Border Visions: Identity and Diaspora in Film offers an overview of global cinema that addresses borders as spaces of hybridity and change. In this collection of essays, contributors examine how cinema portrays conceptions of borderlands informed by knowledge, politics, art, memory, and lived experience, and how these constructions contribute to a changing global community. These essays analyze a variety of international feature films and documentaries that focus on the lives, cultures, and politics of borderlands. The essays discuss the ways in which conflicts and their resolutions occur in borderlands and how they are portrayed on film. The volume pays special attention to contemporary Europe, where the topic of shifting border identities is one of the main driving forces in the processes of European unification.Among the filmmakers whose work is discussed in this volume are Fatih Akin, Montxo Armendàriz, Cary Fukunaga, Christoph Hochhäusler, Holger Jancke, Emir Kusturica, Laila Pakalnina, Alex Rivera, Larissa Shepitko, Andrea Staka, Elia Suleiman, and István Szabó. A significant contribution to the dialogue on global cinema, Border Visions will be of interest to students and scholars of film, but also to scholars in border studies, gender studies, sociology, and political science.

In a long overdue contribution to geography and social theory, Katherine McKittrick offers a new and powerful interpretation of black women's geographic thought. In Canada, the Caribbean, and the United States, black women inhabit diasporic locations marked by the legacy of violence and slavery. Analyzing diverse literatures and material geographies, McKittrick reveals how human geographies are a result of racialized connections, and how spaces that are fraught with limitation are underacknowledged but meaningful sites of political opposition. Demonic Grounds moves between past and present, archives and fiction, theory and everyday, to focus on places negotiated by black women during and after the transatlantic slave trade. Specifically, the author addresses the geographic implications of slave auction blocks, Harriet Jacobs's attic, black Canada and New France, as well as the conceptual spaces of feminism and Sylvia Wynter's philosophies. Central to McKittrick's argument are the ways in which black women are not passive recipients of their surroundings and how a sense of place relates to the struggle against domination. Ultimately, McKittrick argues, these complex black geographies are alterable and may provide the opportunity for social and cultural change. Katherine McKittrick is assistant professor of women's studies at Queen's University.

Running time: 57 mins

Walter Littlemoon is a 69-year-old Lakota man born and raised in Wounded Knee, South Dakota. At the age of five, he was removed from his family to attend a Federal government boarding school where his culture, language and spirituality were suppressed. The Thick Dark Fog profiles Walter's journey to heal himself and his community while reclaiming his heritage. The film's title comes from Walter's own self-diagnosis of the state-of-mind that he lived in for so many years until he began to tell his story and heal from his childhood trauma. As time has passed, more positive accounts have surfaced from Native Americans about their school experiences such as being saved from poverty and making life-long friends.

Running time: 92 mins

The first documentary to explore the role of photography in shaping the identity, aspirations and social emergence of African Americans from slavery to the present, Through a Lens Darkly probes the recesses of American history by discovering images that have been suppressed, forgotten and lost. Bringing to light the hidden and unknown photos shot by both professional and vernacular African American photographers, the film opens a window into lives, experiences and perspectives of black families that is absent from the traditional historical canon. These images show a much more complex and nuanced view of American culture and society and its founding ideals. Inspired by Deborah Willis's book Reflections in Black and featuring the works of Carrie Mae Weems, Lorna Simpson, Anthony Barboza, Hank Willis Thomas, Coco Fusco, Clarissa Sligh and many others, Through a Lens Darkly introduces the viewer to a diverse yet focused community of storytellers who transform singular experiences into a communal journey of discovery - and a call to action.

Running time: 81 mins

A ground-breaking journey across India, Tibet and China, to explore traditional medicine and natural ways of healing. With health care costs soaring in the west, looking eastward to alternative medicine may provide the only answer. In this comprehensive look into traditional eastern medicine we connect all three countries through the core philosophy of the Five Elements, Yin and Yang and the common belief that a life-force called Chi or Prana exists that is vital to sustain a healthy life. Now is the time for the west to embrace alternative medicine for better health a natural way. Our story begins in India and the ancient vedic healing practice of Ayurveda, the science of life. It continues into Tibetan Medicine which shares the same core philosophy as Ayurveda and is found in the theory of the Five Elements, the building blocks of man and the cosmos. Traditional Chinese Medicine is rooted in the Tao, the Yin and Yang of opposite forces that keep our body and mind in balance. All share these common beliefs and that a life-force or energy exists that can be found in all living things. When sickness or disease occurs the life force is unbalanced or blocked and must be corrected. The most visible to western eyes in the form of acupuncture, where needles are inserted into the patient's skin at precise points on the body. You will step inside some of most private closely guarded institutions in China: the clinics and hospitals of Traditional Chinese Medicine many of which have been closed to foreigners. Our unrestricted access will enable you to witness the doctors intimate examinations of patients and the prescribing of remedies using a variety of traditional medicine from herbs and acupuncture to cupping and stone scraping. It is a fascinating journey of discovery - a Chinese cultural treasure that has been poorly reported by western media due to restrictions. After watching this documentary you will view alternative medicine in an entirely new way. Now is the time for you to take the first steps that will lead to better health - A Natural Way.

PDF available – Uncovering Asian Canadian Artistic Production.
PDF available – Uncovering Black Canadian Artistic Production.